Sex weblog I get the girl Latin story translations

Sex weblog

Sex weblog, I get the girl, Latin story translations

Sex weblog

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I agree with Tina. I would think that line drying vs. electric drying would not be enough to cause World War III on Jillee s very eye opening post. It s true that it saves a lot of money when you line dry clothing, but it is not always possible. Please think about things before you type/say them. Fine ass redbone scottish music group

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 To each his (or her) own. Everyone has his or her own preferences. Personally, I use a clothesline much of the time in summer, but often toss those clothes into the dryer just to fluff them. Oh, that tends to get the beetles out, too. No fun finding a beetle in your undies. Hanes women's tagless opaque nylon boy shorts Eros sex club

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Hairy men blogs You'll never have to hem and haw about whether something will be useful later, whether you should keep it because it's a 'good shirt' or was expensive or any of that! Note that 'sparking joy' applies perfectly well to items that aren't exactly thrilling but that serve us well. For instance, the cotton camisole that doesn't rise up and is just the right length — that sure sparks joy for me! Socks without holes spark a lot more joy than socks with holes. You get the picture. Milf fucks teen First handjob stories

What about non-white people who wear technical clothing eh? I m 1/2 yellow and 1/2 white and I wear a ridiculous amount of technical clothing. Although I always want to go camping, I m not so stupid as to think my buddy s going to call an impromptu session of hiking and paddling. I for one wear technical clothing because I m a paranoid bastard. When those zombies come, you want to be hunkered down in a makeshift shanty dressed in cotton, that retains water and chills you when the temperature drops? I think I ll stick with my technical clothing. I may look like a douche, but damn yo, how many hipsters look like douches and are just gonna be eaten by zombies because they can t run in their drainpipe jeans? Sheeit yo, it ain t just white people wearing clothing that works, that in itself is degrading to people of other shades. What, because I m 1/2 Chinese I can t be (paranoia-fuelled) practical? C mon!! First handjob stories Milf fucks teen

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A deliciously explicit addition to my collection of early-1900s photographs featuring the incomparable Il Serpente, ‘The snake’ - the most naturally blessed and beautifully, brazenly seductive of all Vincenzo Galdi’s models.

A deliciously explicit addition to my collection of early-1900s photographs featuring the incomparable Il Serpente, ‘The snake’ - the most naturally blessed and beautifully, brazenly seductive of all Vincenzo Galdi’s models.

Another gorgeous portrait of Vincenzo Galdi by Plüschow, this often-repeated pose perfect to highlight his handsome profile and beautiful neck & jawline, his hair a ruffled mess of curls when let to grow longer.
Beginning his involvement with...

Another gorgeous portrait of Vincenzo Galdi by Plüschow, this often-repeated pose perfect to highlight his handsome profile and beautiful neck & jawline, his hair a ruffled mess of curls when let to grow longer.
Beginning his involvement with photography as a model, he went on to become a photographer in his own right, breaking all boundaries between the sensual nude and provocative erotica - see my collected examples of his work here.

The utterly gorgeous Vincenzo Galdi, posing in profile for his mentor Guglielmo Plüschow c1890. We have seen a remarkably similar shot before, just a slight shift in position, his eyes raised a little here and more downcast in the other, and more...

The utterly gorgeous Vincenzo Galdi, posing in profile for his mentor Guglielmo Plüschow c1890. We have seen a remarkably similar shot before, just a slight shift in position, his eyes raised a little here and more downcast in the other, and more flowers tucked into his hair - I imagine model and photographer poring over the developed prints, discussing which they preferred.

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always...

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always emphasising the sensual, the erotic, the full-frontal nude presented without discretion or modesty. We see variations on this pose - seated, knees parted - over and over and over again.

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

Portraits create such a powerful sense of a moment captured and kept, a fine face made everlasting; as we look upon this strong-featured anonymous Italian, know he was photographed by Vincenzo Galdi a little over a hundred years ago.

Portraits create such a powerful sense of a moment captured and kept, a fine face made everlasting; as we look upon this strong-featured anonymous Italian, know he was photographed by Vincenzo Galdi a little over a hundred years ago.

Not the finest image quality, nor the most inspiring pose, but still rather a splendid sight to behold - one of Vincenzo Galdi’s wonderfully well-chosen male models from turn-of-the-century Rome.

Not the finest image quality, nor the most inspiring pose, but still rather a splendid sight to behold - one of Vincenzo Galdi’s wonderfully well-chosen male models from turn-of-the-century Rome. 

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large...

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large nor so detailed; do take a closer look at the full size image to fully appreciate such an exquisite man!

One more of Vincenzo Galdi’s daringly dirty photographs from the turn of the last century, a continuation of a scene seen here.

One more of Vincenzo Galdi’s daringly dirty photographs from the turn of the last century, a continuation of a scene seen here.

A fine example of Vincenzo Galdi’s unreservedly raunchy homoerotic scenes from the early years of the twentieth century.
There’s some debate on whether we see here a cleverly constructed duplication of the same ravishing model photographed in two...

A fine example of Vincenzo Galdi’s unreservedly raunchy homoerotic scenes from the early years of the twentieth century.
There’s some debate on whether we see here a cleverly constructed duplication of the same ravishing model photographed in two poses, or twins - the profiles appear to differ in the other shot, though that may just be the angle of the heads, and it seems to me that the man on the left both times has tanned legs, while the one on the right, does not. And yet their bodies are so remarkably alike that they must surely be the same man twice! A puzzle indeed. What do you think?

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have...

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have dubbed him the brooding beauty.

One of Vincenzo Galdi’s earlier photographs, taken near his sunny hometown of Naples in the late 1890s. The anonymous model has certainly been in the sun, a stark contrast between the tanned parts of his body and the pale skin covered ‘til he bared...

One of Vincenzo Galdi’s earlier photographs, taken near his sunny hometown of Naples in the late 1890s. The anonymous model has certainly been in the sun, a stark contrast between the tanned parts of his body and the pale skin covered ‘til he bared all for his photograph.

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I...

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I shall have to make room for one more!

Another of the quite wonderful pornographic photographs by Vincenzo Galdi which were donated to my collection at the end of last year. This is sadly not the clearest quality, but every last one of these scandalous erotic images must be treasured, it...

Another of the quite wonderful pornographic photographs by Vincenzo Galdi which were donated to my collection at the end of last year. This is sadly not the clearest quality, but every last one of these scandalous erotic images must be treasured, it is remarkable that they’ve survived at all!

What a beautiful young man, gazing at a single flower plucked from the overspilling vase at his side - see, fallen petals scattered across his thigh. I have another, possibly even more lovely, portrait of this same model from Rome, photographed by...

What a beautiful young man, gazing at a single flower plucked from the overspilling vase at his side - see, fallen petals scattered across his thigh. I have another, possibly even more lovely, portrait of this same model from Rome, photographed by Galdi in the early years of the 20th century.